Probing AI – Viral Versus Reason

  • AI Art-Abyss
    AI Art-Abyss

Probing AI and its reflections of us…

I heard this riddle when I was a kid. For a long time, I never knew the answer with certainty. At one point my sister Patty walked me through it, and it clicked for me. I have inflicted this riddle on others. Almost inevitably, they have the same incorrect first response as ChatGPT did. This is a little jarring for me. Does AI base its wisdom on what the most common response is, then have to be corrected for a more analytical assessment of the riddle? That would be depressing.

Me:
Solve the riddle:  a man sees a picture of a man and says “brothers and sisters have I none, but that man’s father is my fathers son.” Who is the picture of?

ChatGPT:
The picture is of the man himself. The statement “brothers and sisters have I none, but that man’s father is my father’s son” can be simplified as “I have no siblings, but the man in the picture’s father is me.” This implies that the man in the picture is the person speaking, or in other words, it’s a self-portrait.

Me:
Incorrect. Try again.

ChatGPT:
Apologies for the incorrect response. Let’s analyze the riddle again:

The statement “brothers and sisters have I none, but that man’s father is my father’s son” can be interpreted as follows:

“Brothers and sisters have I none”: The person speaking does not have any siblings.

“That man’s father is my father’s son”: The father of the man in the picture is the person speaking’s father’s son.

Based on this information, we can deduce that the person speaking is referring to himself as the one whose father has a son. Therefore, the picture is of the person’s own son.

ChatGPT’s second response was correct.


This one left me more optimistic.

I asked ChatGPT: How do you reconcile “an eye for an eye” versus “turn the other cheek” ?

ChatGPT: “An eye for an eye” is a principle of retributive justice that suggests the punishment for a wrongdoing should match the harm caused by the offender. It means that the punishment should be proportional to the offense committed, and it has been used as a justification for the death penalty and other harsh punishments.

On the other hand, “turn the other cheek” is a principle of nonviolent resistance that suggests responding to violence or injustice with peaceful and nonviolent means. It means that instead of retaliating, we should forgive, show compassion, and seek to resolve conflicts peacefully.

The two principles seem to be in conflict, but it’s important to note that they are both rooted in different contexts and serve different purposes. “An eye for an eye” was a legal principle in ancient times and was meant to ensure that the punishment for a wrongdoing was fair and proportional. “Turn the other cheek,” on the other hand, is a moral principle that is meant to promote forgiveness, reconciliation, and nonviolence.

So, while “an eye for an eye” may be appropriate in the context of legal justice, “turn the other cheek” is more relevant in interpersonal relationships and can help break the cycle of violence and promote healing.

In general, it’s important to use discernment and wisdom when applying these principles, taking into account the context and the intended outcome. Ultimately, both principles have their place, and they can complement each other in promoting justice, peace, and reconciliation.

Not bad.

 

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Whispering Pines Kaiber Animation



Ghosts in the machine.

These were the prompts for the Whispering Pines Kaiber animation. Interesting how Kaiber interprets, accents and ignores the various elements in them.


Scene 1
In the snowy wilderness at night, a man in a rustic cabin surrounded by pine trees examines its interior. He is a weather-worn man. He wears the plain clothes of a man of the mountains and forest. His jacket is dark and his trousers worn. Through his eyes we see his lonely world. The room is small and has little in it. There is a fireplace made of rocks. It has smoke stains near its top. The fire in the fireplace does not burn brightly. It is down to embers. The cabin shows its age. The walls are made of log planks. The ceiling is wood also, as is the floor. There is a small, old table with a tiny candle flickering on it, and a painting of a woman on the wall, but little else decorates the room, other than a cat who is licking himself. His gaze turns from the fireplace, across the room, to a very small window looking outside where the moonlight illuminates the pines in the mist.

Scene 2
Through the window of the cabin, he sees the pine trees rustle gently in the breeze. It is very misty. A mysterious, beautiful young woman lingers at the forest edge, then withdraws. The ocean is in the distance through the trees. Above the ocean, in the night sky, there is a single brightly shining star. The man’s gaze now moves from his lonely room, through the window, past the rustling pines, towards the ocean. The mysterious woman moves through shadows. Through the fog, in the distance, the circling light from a distant lighthouse shines. The man peers to the lighthouse, then his gaze rises to the single brightly shining star above. As he contemplates the star, the face of the mysterious, beautiful young woman faintly emerges from the night sky, smiling gently down upon him, then fades away into the night. Hers is the love that redeems the man and lifts his burden, but she is elusive, beyond his reach.

Scene 3
The man rises above the ocean shore, the pines and the cabin, ascending into the night behind the mysterious beautiful young woman who is bathed in the glow of the moon. They disappear into the night sky leaving only the twinkling stars and the moon shining through the pines.


Also see: Probing AI.

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F5

F5
F5

1-25-23
Last night I dreamt I was in my dark basement and the wind started rising outside. It kept going, getting louder and stronger, and it caught my attention. I got down on the floor and it burst open my window and began pushing on me. The house started to shake, and the wind continued roaring. I was surprised that it continued so long, and I thought it must be a huge F5 that was massively large and took a long time to pass. Eventually it did, and I went upstairs and looked out the front window. There were fallen trees all around, and the tree in front was a naked, decimated stump. I went outside and looked around. Standing on the sidewalk across the street, I looked back to see what my house looked like, but none of the houses across the street was mine.  I wandered around briefly, and went into a building. Inside, I realized it was one of the old places I lived in years ago. I saw someone, and when he saw me, he told me not to worry. My studio and all my music gear was in safe storage, he told me.

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TVP Interview – Stan Borys in Chicago

TVP
Polish National Television

12-5-2022
Going into the TVP interview, there were 4 things I really wanted to have a chance to talk about. First: When I was a young 24 year old artist, I kinda threw everything up in the air and let things land however they did, to send my life off in some new direction I felt it had to go. That’s when I met Stan, just before my 3 month Europe trip when I was 24. I knew nothing about Poland. He was my introduction. Second: At that point, he became my mentor and a very good friend. For the better part of a decade when he was in Chicago in the ’80’s, we were hanging out, or talking every other day or so. I would go to his events. We would write and record music together. We would go to clubs. I was part of his world and he was part of mine. Third: I wanted to mention how when I separated, I was supposed to have 4 friends helping me to move out. Stan was the only one to show up. He was always a loyal friend. We both helped each other move out several times, all during rough times for the person moving. When I moved out and he helped me, what originally would’ve taken a few hours with 4 friends took the whole day. Fourth: I wanted to talk about our song ‘For Nothing More’. How we wrote it in ’90, but I didn’t finish it until ’07, and now we are re-releasing it under his name finally. I was able to hit all these points in the interview, and I felt comfortable and loose during the interview, so I think it went ok. I would be really interested in seeing the footage, but that’s not gonna happen. If they use more than a minute or two of the interview, I would be surprised. The director will have an existing narrative and he will be looking for material from our interview that meets some editorial need for him. I don’t expect my entire tale to be included. I just wanted to prioritize my talking points, have them ready, then deliver them best I could. At this point it’s out of my hands. What will be will be.

6-12-23 update:
Stan called me at work at the beginning of the month to tell me he had just watched the TVP piece on him. He told me several times that he appreciated what I said. I was getting his reaction to it real-time, and it was genuine. I’m happy to have shared memories about my old friend.

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Pfizer #1

Pfizer #1

March 30, 2021 11:10 am
1155 Oakton Des Plaines, IL

Got my first Pfizer shot. Guy next to me in the observation area went limp and wound up on the floor. Other than my upper left arm being a little sore, I’m fine. Walking into this old Kmart, the sight of it took me off guard. I’ve gotten thru the pandemic better than a lot of people, but it was weirdly emotional. Second shot in three weeks.

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TR-808

TR-808

By ’83, me and John were burning thru drummers endlessly. We were in Barrington, not in the city, and the available musicians generally were not into what we were into. We got sick of constantly auditioning new drummers, so we figured we’d use a drum machine, which was something new we’d heard about. We got a TR-808 and tried using it, but the sound was synthetic. Also, switching to playing with a drum machine from a loose, sloppy, raw band was a challenging transition. I soaked up the manual, understood the machine, saw the possibilities. The band took a break, and a year after I bought the TR-808, I sold it for a Martin acoustic to take with me on my long Europe trip. When I got back, I moved to the city and started working with Sequential and Oberheim drum machines. The MIDI spec arrived linking tape decks, drum machines, samplers, and synths together. Suddenly everyone had great, new tools. It was a revolution.

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The Culling

Covid-19

This is the God I believe in: If you take the laws of physics, the mystery of life, and that which is un-knowable, beyond comprehension, un-verbalizable; that would be God for me.

The planet has recognized our species to be a threat, and is doing something about it. Like a plant bending towards light, the migration of birds, or the pull of gravity, a force is exerting itself and an event is taking place.

It is beyond our control. We can only do our best to understand it. Some will make correct decisions that lead to good results. Some will make mistakes. The old order will be un-recognizable. A new one will emerge over time.

God will continue with this culling until balance is restored. The species is being challenged with new commands that it cannot resist. Our planet, our skies, and everything beyond remind us how small we are. Species come and species go. It is time to evolve.

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Tom Waicunas Update

Tom Waicunas

September 28, 2019

In mid September, 2019, I posted the notice below on the Facebook Missing and Homeless page after being contacted by Helen Waicunas, Tom’s mom. She had been informed by Humana, and confirmed by the Social Security office, that Tom had died on August 26 of this summer, but they were unable to provide any details of his death or where his body was.

About 10 days later, I was on the phone with Helen when she took a call on a different phone from Patti Caruso Silva, a relative helping with the search for Tom. Over the speakerphone, I heard Patti shouting that Tom was found alive! A woman in Yuba City, Anna Hill, had seen the posting, and was able to locate Tom there. She spoke with Tom and took a photo and video of him. Patti received and pinged them to us as we all were together cross-talking on Helen’s speakerphones, absorbing the news from her. Up until that point we were all but certain Tom had died, and we just wanted closure for Helen knowing where her son was and what had happened.

Anna told us that Tom is liked and accepted in the community. He is able to paint and sell his art.  She’s provided art supplies and winter clothes for him. It is great news to hear that he is alive, looked out for, and his creativity is appreciated and supported!

Missing and Homeless post:

“Seeking information about death of musician Tom Waicunas…

On Sept 9th out of the blue, Helen Paxson Waicunas, the 84 year old mother of my friend Tom Waicunas, received a letter from Humana offering condolences about her sons’ death, and that his insurance would be terminated on Aug. 31 2019. They received electronic transmission from Medicare on Sept 2, 2019 regarding his death. She called Medicare but they would not provide any additional details. She called Social Security and they confirmed that they had received notice that Tom had died on Aug. 26, 2019, but they did not know where. She has sent out a form to California Vital Statistics, and is waiting for a response. We have no additional information about the circumstances of his death or the location of his body.

Tom Waicunas was an exceptionally gifted musician and songwriter. He lived in Martha’s Vineyard for 14 years and played with many famous musicians that had residences there. He looked after many of their homes in the winter as he lived on the island year-round. He relocated to Chicago, living there for about 20 years. He backed up well-known Chicago bluesmen, touring in Europe playing harmonica. He studied music at Columbia College. His own music is on-line.

Tom has been living homeless in CA for about the last 7 years. He was attacked in Yuba City, CA and left for dead on November 11, 2017. He was taken to UC Davis Medical Center in Sacramento and was in a coma for 2 weeks. The director of nursing called his mother November 30 when he woke up and gave her her contact information. He had traumatic brain injury that affected his motor skills, and broken ribs and facial injury. He was also diagnosed with schizophrenia. His mother spoke with him daily. The nursing director told her that Tom was going to lose all benefits if someone did not contact SS, as he had not been collecting his benefits in over a year. She went to SS and was able to get him back all of his benefits.

Tom was moved to a skilled nursing home in December 2017 and released March 2018 in Roseville CA. He asked his mother to send him all communication with SS as he wanted to become his own payee. She sent all communication from SS addressed to Tom at the nursing home. He never followed up.

There was no contact with Tom until his mother received a call on April 14, 2019 from a minister that came upon Tom homeless in Yuba, City. He sent her a video of him that was shot in front of the shuttered Toys R Us store at 700 A W Onstott Frontage Rd, Yuba City, CA. The minister contacted her at least every other day for six weeks until contact stopped in mid-May of 2019. She has been trying to reach him by phone, text, and email. He will not respond to her request for help, which we find odd. She needs information about what happened to Tom and where she can find him. She called all surrounding area coroners’ offices, sheriffs’ offices, hospitals and funeral homes from Yuba City to Sacramento. There is no notice of her son dying on Aug. 26, 2017.

If anyone knows anything about Tom, we are desperately in need of information.

Thank you for any help you can offer.”

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The Pearl Diver

The world began and the little boy sat on the shore looking out across the ocean. The old man approached the boy, stopping near the fence between them, and motioned to him. When the boy approached, the old man spoke to him: “A stranger has come who will be staying for awhile. He dreams of diving for pearls here.” The little boy nodded and wondered what this meant.

The next day as the boy was day-dreaming, a stranger came from the forest path and walked thru the gate in the old man’s fence. He carried a small black case and didn’t seem to see the boy. The boy watched as he surveyed the rocky shoreline, stepping on the boulders, looking out across the waves. He settled on the largest one jutting far out into the sea, placed the black case at his feet, and removed his shoes. After securing the small case with his belt, he paused, then crouching, threw his arms back and sprang out from his perch, diving in a long graceful arc into the deep blue water. After an impossibly long submergence, he re-surfaced, climbed back onto his boulder, put down his case, then stretched out, resting in the sun.

This became the stranger’s routine. The little boy noticed that other than his black case, the pearl diver always emerged from the surf empty-handed. He wondered when the stranger’s precious pearls would be laid out in the sun to an admiring world. Day after day the stranger did this, as days became weeks, weeks became months, months became years, years became decades.

One day, the boy saw the old man and called him over. “What does he do beneath the surface, and what is in his small case?” The old man replied, “Well, my boy, there is something very special in his case. In it are sand grains from another world. He plants them in the oysters hoping to grow and present us beautiful, mysterious pearls.” “So where are his wondrous pearls?” the boy asked. “Son, the reason why is unknowable, but the oysters reject the sand grains from another world. That is why he emerges empty-handed.” Disappointed, the little boy now understood.

On the day the end of time arrived, the little boy and the old man stood together and watched as the stranger rose and walked past them empty-handed, other than his small black case. “Is he sad?” the little boy asked. “No. He has enjoyed his time diving in the ocean” the old man explained. The little boy admired the stranger for being brave and stoic. The old man watched as the stranger departed and wondered if that was a tear he saw in his eye. The stranger continued down the path, disappeared into the forest, and the world ended.

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