Krzysztof Kieślowski

Kieślowski’s Three Colors

Krzysztof Kieślowski is my film director choice. Roger Ebert has some excellent pieces on his films, which I’m providing links to in this post. You owe it to yourself to see his films.

In the early 90’s when I was living in Old Town, I read about 3 films being released that were referred to as the Three Colors: Blue, White and Red. The director was Krzysztof Kieślowski. He was established in Poland originally as a documentary film-maker, then as an observer of everyday life there at the end of the Cold War, and finally he was regarded as an internationally recognized artist of highest influence and esteem.

I was living in Sopot, Poland in spring of 1996, working as a video editor on a film review program called Bliżej filmu, when I heard that Kieślowski had died. My friend there, knowing about my UWW program, pointed out that this was someone that was relevant to my interests in Poland and should be on my radar. I saw the 3 films and understood that Kieślowski really was brilliant.

Prior to his trilogy, he released The Double Life of Veronique, his first film produced outside of Poland in part. His Dekalog was a series of 10 one hour films, originally for television, set in a block of flats in Warsaw, loosely sprung from the Ten Commandments thematically.

Earlier films include: Blind Chance, No End, Short Working Day, Camera Buff, The Calm, The Scar, Personnel, From a Night Porter’s Point of View, Curriculum Vitae, Concert of Requests, Tramway, and The Office.

If you have a fast food diet of Hollywood films, that’s cool. But you owe yourself some balance with the nutrition and substance of Kieślowski.





Father, mechanical drafter, musician.